Morton Lauridsen’s setting of James Agee’s poem. Everyone splits in the forte sections except the sopranos. In the last section, the sections are marked pianissimo. You might want to turn up the volume on this one. I did not try to put in all the ritardandos and a tempos, because when you sing with the Lalas, you can’t see the conductor.

All parts

Soprano emphasized

First alto emphasized

Second alto emphasized

First Tenor emphasized

Second Tenor emphasized

Baritone emphasized

Bass emphasized